Is A Power Of Attorney Good After Death - Trainspotting diagnosis
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Trainspotting diagnosis
Trainspotting adapted from Irvine Welsh's novel and made by the Shallow Grave team of writer John Hedge, producer Andrew Macdonald, and director Danny Boyle, giving us characters and moments that are unforgettable. Ewan McGregor plays Renton, an on-and-off heroin addict who can't settle whether to clean up or regress in the enterprise of his loser friends in working-class Edinburgh, and later in London. The film was produced in 1996.
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Is A Power Of Attorney Good After Death
Trainspotting in reality refers to a session of dark linear mark or track that is left in the veins after shooting heroin. The first thing is that heroin users mainline along their arms and inject up and down on the main vein. "Station to station," they call it. For addicts, all narrows down to that one goal of getting drugs. "Trainspotters" are like that, obsessively taking down the numbers of trains.
The five main actors in this film are all males and with a life threatening drug habit. Trainspotting can be classified under four different types of film genre including: drama, comedy, crime and drug culture. "Trainspotting" is classified as drama since it is a serious story due to the drug habit and any scenes that showed the real lives of junkies, and illustrated images of injecting heroin. On the other hand it can be classified as comedy especially when Spud goes to an interview high on speed and other funny moments that are there to lighten up the seriousness of the film. This can be classified as black humour. well Trainspotting can also be out under the crime and drug culture genre due to the story in itself and the characters This film gives us a very vivid and real photograph of a heroin addict's every day routine.'Choose Life...' the film's most notable quote means a lot. Those portrayed in Trainspotting are the ones that need to understand selecting life; they are the ones that this phrase was penned for and who are these people living a life less ordinary? They are addicts in Scotland, living lives that are synchronized around getting what they need. For three of them, heroin is their mode of addiction, for other passivity, and for the last aggression. They are a mad quintet, pissing away lives that could maybe number to something.
In the beginning as we are introduced to our humble narrator Renton (McGregor). We can see that he is on a road to nowhere, stealing Cds from a shop in hopes of manufacture a minuscule cash to pay for the next hit. His home away from home is a drug dealer's apartment ( mom Superior) where he is issued a quarterly platter of needle, spoon, lighter, and heroin beside his best mates Sick Boy (Miller) and Spud (Bremner). They are as troublesome as he is, though Spud is helpless in his addiction while Sick Boy is just there to assess metaphorical sizes.
Movies about drug addiction are well nothing new, but this film makes all look different, practically like it is the first film to deal with the subject. Trainspotting is brave and often hilarious; it's dark, smart and stubborn. It's more than one of the best 'drug movies' ever made; it's arguably the finest film to come out of the Uk
Ewan McGregor plays the main character; Mark Renton. He introduces the film Trainspotting with an extremely energetic scene, the previous scene accompanied by Iggy Pop's 'Lust for Life', along with Renton's sarcastic narration, which rejects our weak, mechanical existence in favour of the joys of heroin. Iggy pop is Renton's hero. He even has a poster of him in his room. When he goes clubbing, we observation that his heroin habit has been going on for a long time as he doesn't recognize any of the new songs at the club. Diane makes him observation this, and Renton starts to comprehend that heroin has taken so much out of his life.
"People join together it with misery, desperation and death, which is not to be ignored. But what they forget is the pleasure of it, otherwise we wouldn't do it" He is well appalled by community and the materialistic satisfactions it offers. He later compares heroin: 'imagine the best orgasm you ever had and multiply it by a thousand and you're not even there' However, after a few minutes into the film he decides to quit heroin. The viewers may cease that it is time to move on in life, yet he could not live life without heroin as we see through out the film his varied unsuccessful trials at quitting his habit
Renton has a serious drug habit, and due to his unemployment must retain is by shoplifting and petty theft. When he was on methadone, he had his 'last hit' and this resulted in an overdose. This simply shows an attempt to avoid being compliant. In fact, it is this thought about attitude which maybe explains heroin's over Renton. He states, "We'd inject Vitamin C if they made it illegal"
Even though he manages to kicked his heroin addiction and starts a new life in London, his old circle of friends are not easy to get rid of and Renton ends up getting involved in a drug deal, and sells 4 kilos of heroin with his 'so-called' friends. Towards the end of the film, he betrays the others by escaping with the money. This shows the viewers that he decided to 'choose life', be 'just like us' which is a doubtful aim; the qualities of which the film questions the whole time
Renton is dreamy, sharp, troubled, and calm, seemingly all at the same time, and you never know where you are with him, as he never knows where he is with himself. It's an understated portrayal of an essentially rootless character - yet a magnetic one.
Johnny Lee Miller plays the part of Sick Boy who is portrayed as a handsome guy who has the habit of talking nonsense and bombarding his mates with trivia about Sean Connery. He is a womanizing James Bond wannabe, who is extremely intelligent. Sick Boy is the one who seems least affected by his heroin habit. In fact, when Renton tries to quit heroin, Sick boy does the same just to spite him In the film Trainspotting Sick boy is the one who trivializes heroin and seems to have no problems with his addiction contrary to the rest of the crew.
"The film only touches on the demand of how far his persona is genuine or just public camouflage" . Sick Boy's behaviour in the final parts of the film show how the death of his baby has affected him and made him more crime prone. He starts to deal in drugs, pimping and becomes an all round con. Renton states that when Sick Boy's child passed away, something inside Sickboy must have died and never came back .
Later in the film, Renton escapes to London to start a new life, while Sick Boy and the rest of his friends remain in the Scottish capital. When he visits Renton unexpectedly, he immediately sells Renton's television without consent and he also offers to sell Renton's passport. Sickboy is so fixated with his new criminal occupation that he never even bothers to think about Renton's feelings. "He becomes obsessed with developing beneficial contacts for that elusive 'big deal', and sticks a finger in any pie on offer" He becomes a manipulative pimp and drug-pusher at every opportunity and wouldn't hesitate about taking benefit and manipulating whatever for the purpose of self-advancement. All through out this ordeal Sick boy remains as vain as always.
Tommy, played by Kevin McKidd, contrasts vividly with the other main characters. He is portrayed as athletic, looking pleasure walking in the countryside, weight lifting and watching football rather than manufacture use of drugs. As the film progresses, there is a drastic convert in Tommy, turning him into the worst of the bunch with a "rapid and fatal" descent .
Tommy's association with his girlfriend Lizzie does not seem to be progressing well. The strain of looking their homemade porn film missing because Renton "borrowed" is the final straw for Lizzie and breaks off the relationship. When his efforts to patch up his association fail, Tommy falls in a depression and resorts to drugs. Sadly sufficient (black comedy), it is Lizzie, the very person whom Tommy loves that causes his death. With the increased use of heroin, Tommy contacts Hiv. His initially clean and tidy apartment becomes filthy. His final tentative to obtain Lizzie sees him getting her a kitten, which she refuses. Tommy is found dead due to an infection from the kitten's faeces . This has a public connotation as Hiv and Aids due to heroin abuse was on the increase and booming in 1996.
Clarke considers this character's story helps to create an ethical perspective in this film, giving the audience something to think about. whatever can fall victim to drug abuse, even youths thought about as 'good'. Clark states that Tommy is portrayed as free from drugs on film whereas makes use of amphetamines in Irvine Welsh's novel. This could be credited to the fact that clear individuals would prefer watching the film rather than reading the book thus the message has to be harsher to get across. The same can be said of Tommy's behind-the-scene drug use. As the film proceeds, Tommy's health aggravates thus shocking the audience. In the end, without Lizzie, Tommy "chose not to select life" but heroin and death .
Begbie considers himself best than any of the rest. This is seen clearly when he lectures his friends after Renton narrowly escapes imprisonment , and trys to appear mature in front of Renton's parents and when he claims that never would he "poison" himself with chemicals. Alcohol can also be thought about as a harmful chemical to the body, but Begbie doesn't see it as such. Begbie takes a commanding attitude when with his friends, for example in the final pub fight scene when he orders Renton to bring him a cigarette or while the hallucination scenes as well as while his stay with Renton in England.
Spud, the "amiable, childlike loser" as described by Clarke, is played by Ewen Bremner . Clarke considers Spud's life as brimming with wrong choices, along with his option of drugs which is thought about unsuitable to his weak character . while his six-week association with Gail, they never had sex. On the night she wanted to have sex with him, Spud was too drunk to do anything. On awaking in Gail's bed the following morning, he finds the sheets soiled. Spud's bowel contents end up smeared on Gail and her parents whilst eating breakfast .
Clarke compares other scenes from the film. Spud gets incarcerated for shoplifting while Renton emerges practically scot-free. Similarly, Diane sees Spud lying intoxicated under the pavement while the letter scene whilst the others appear lucid . Also, despite varied threats, Spud is the only member of the group to be injured by Begbie. Nonetheless, it is clear for everyone to love Spud. The audience sympathise with him. Renton wishes he ended in prison instead of his friend. In the end, he leaves money only for Spud because he pities him.
Kelly Macdonald starring as Diane is young but wise beyond her actual years. This is shown especially when she deals with men. At first, Renton sees her at a nightclub rejecting the advances of a man by drinking both drinks and leaving, and secondly when Renton approaches her outside the club and responds to his weak chat with a coldly cruel speech that leaves him completely dejected. However, when she leaves the taxi door open for Renton to go in, it becomes clear that the negative response may have been purely a tool to create sexual power over him.
Later in the film, after a night of passion with Renton in her bedroom, Renton and the audience are amused and disturbed to see Diane changing from her silver dress into her school uniform. The audience understands the position Renton has found himself in. He ought to leave from this situation or else face the consequences since she is underage. However, Diane has once again the power over Renton in this situation because if she tells the police, Renton will face prison. She knows the law and blackmails him to meet her again . Diane also seems to be more knowledgeable about contemporary culture. In fact she emphasizes that shooting heroin, listening to Iggy Pop and the fact that Renton and the main protagonists are still in Edinburgh are outdated, "Times are changing, music is changing, even drugs are changing" .
Establishing sexual power over men is also seen in other women in the film. In a nutshell, Trainspotting's male characters are ready to drop their usual obtain façade and jeopardize embarrassment to fulfill their sexuality. The women in Trainspotting seem to be more than happy to coerce. For instance Spud's girlfriend refused to sleep with Spud while their six-week association but she later admitted to Lizzy that she wants to sleep with Spud yet she loves watching him suffer. Lizzy is also seen as ridiculing and sexually controlling her men. She would not deny herself from having sex with Tommy since it is her only pleasure she gets from him. However, later in the film, when Thomas could not find the extremely intimate inexpressive video, Lizzy was ashamed. She was so furious with him that she left him .
Alison, played by Susan Vidler, is a typical drug-craving mother. She is self-centred, completely neglecting her daughter. When the baby is found dead in her cot, Renton narrates that they did not know who father her baby. This furthers the belief that she is quite adolescent and lacking in morals, having sexual feel with all male members of the group. On discovering her daughter's death, one of her preliminary reactions is to take heroin.
Mother first-rate is the group's heroin provider. Although he is seen administering the drug to the friends, he himself is never viewed manufacture use of it. mom first-rate cannot be thought about completely as friend to them because he ultimately wants money for the drugs he provides. However, when Renton overdoses, mom first-rate calls for a taxi and provides money for it. This can be interpreted as a friendly gesture but also as helping Renton to avoid getting in trouble. mom first-rate knows the different characters of the group. This can indicate that they have all be using drugs for quite a while, thus frequenting mom superior's place often. while the film, the characters are seen shoplifting to retain their drug habit. The need to steal might have been initiated by mom first-rate demanding hard cash.
The bond Renton has with his friends is just the common goal of shooting the next hit. When he is not on drugs he has to face reality, which is, maintaining relationships, meeting girls and everyday responsibilities. The film portrays what seems to be united group. However, there is a fear of Begbie because of his violence and alcoholic tendencies as well as him being the older of the lot. Sickboy, Renton, Spud and later on in the film Tommy all have a heroin addiction, thus their adored recipe to solve problems is taking a hit. Begbie solves his by drinking and fighting. The group share stolen money and tend to shoplift in groups. When they go to the clubs, they party together. Still, in the end Renton calls the rest of the group "so-called friends".
The association between Renton and Spud can be opinion of the best within the characters. As mentioned before, Renton cannot help liking Spud. Renton is seen giving his friend hints before Spud's job interview. Even though it is thought about wrong, Renton offers Spud some speed to put him at easy. When both of them are caught shoplifting, Renton wishes he went to prison instead of Spud. In the same scene, he admits feeling lonely, although being surrounded with family and friends. At the end of the film, Renton felt sorry for Spud because he never harmed whatever or said a bad word about his friends. Thus, he left money only to Spud. This association is supplementary supported by the fact that Renton asks Spud if they would take the money and go. Renton could have more well grabbed the bag and left before Spud would have reacted in any way.
Renton has a good association with Tommy as well, reasoning of him as one of his best friends. Tommy also considers Renton a friend by confiding with him the problems he had with Lizzie. Renton felt sorry for Tommy when he found his Hiv clear friend living in a horrible, filthy apartment. He tried to make amends by giving money to Tommy to pay the rent. This association is somewhat ironic because Tommy's downfall is caused by Renton when he stole Tommy and Lizzy's video. From the beginning, Renton and Sickboy's association does not seem strong. Renton is slightly jealous of Sickboy. This impression is born by the fact that Sickboy can well overcome heroin just because Renton is trying to quit. Sickboy does not seem to have any problems dating girls in the disco scene whereas Renton did not like the females around him, except for Diane. Towards the end of the film, Renton states that Sickboy would betray him off as well if he opinion about it first. Sickboy himself admits the fact.
Spud and Tommy are seen alone talking about sex a extremely inexpressive issue since they both have a girlfriend. Their girlfriends also seem to be in belief with each other. They are comfortable sharing problems: Spud - no sex in a six-week relationship; Tommy - forgetting Lizzy's birthday. He had a label for Iggy Pop for the same night. When Tommy dies, Spud sings him a song. This minuscule act shows how much Spud cared for Tommy. Begbie's association with Renton is slightly contradictory. Begbie trusts Renton sufficient to confide with him when he went out with a transsexual without knowing at first. However, Begbie threatens Renton on any occasions, his aggressive nature taking over all emotions. Renton pleases Begbie mainly because he fears him. Renton tries not to oppose Begbie because he is "a psycho" At the end of the film Renton states that he did not care that he betrayed Begbie.
The association portrayed between mom first-rate and Renton cannot be termed as a friendship because ultimately mom Superior's enterprise consists of selling drugs to Renton and the rest of the group. Still their association runs deeper than the general dealer-user relationship. mom first-rate could have well dumped Renton somewhere instead of calling a taxi to take him to hospital. However, some may doubt the gesture as generated due to friendship. The audience could believe that paying for the taxi is a minuscule price to pay when compared to all the trouble mom first-rate could get if found with a dead body.
Trainspotting could be described as conveying an anti-drugs message, which is portrayed through "character studies rather than a patronizing preach" This film presents its audience with more than one view of drug Throughout the film, the youth characters are often seen cooking heroin and injecting the latter into their bodies (, any way it also portrays the pain, agony, melancholy and unhappiness that are derived from this drug addiction . One could say that this film is a warning about the fears and perils of drug addiction, mainly heroin addiction .
Trainspotting's anti-drug message mainly lies within the film's capability to explain and tackle the calculate as to why young people are attracted to drugs. Furthermore the film's power and success into presenting the audience with the negative results, damage and consequences that obtain from this type of addiction convey this anti-drugs message more clearly. The film portrays these negative results and damages constantly throughout the film. The film and its characters enter a world of neglect, dieing babies, Aids, anxiety, depression, boredom and hopelessness. Moreover the other anti-drugs message that derives from this film "goes beyond causes and consequences in explaining that serious drug abuse is itself beyond cause and consequences: Renton asks, "Who needs reasons when you've got heroin?" .
Trainspotting deals with the mid 80's heroin subculture of Edinburgh, "when Pakistani smack had glutted the Uk market, becoming, for thousands of lowly people mired in unemployment, a cheaper means to oblivion than alcohol". It pathology the likelihood of youth subcultures to surpass "their public class contect and form(ing) a class of their own" In this film even "nonravers" are portrayed as drug users, both in a literal sense ("state-sanctioned chemicals like alcohol or tranquilizers") and in a metaphorical sense ("Tv, videos, computer games, the adrenaline rush of football violence") .
Hebdige (1979:100) maintains that "style is an intentional communication." Barthes (N.D.) as cited in Hebdige (1979:100), differentiates between "subcultural" and "normal styles." The subcultural style collects those insistent mixtures of clothing, music, jargon and so on, and nearly exhibits a corresponding association to "the more conventional formulae (normal suits, ties, twin sets, etc.)". The clothes that individuals wear are superior within the constraint of preference, taste, cost etc. Such choices embrace a wide range of messages, which are communicated through the delicately varied distinctions of a number of "interlocking sets" such as status, self-image and class. Subcultural styles distinguish themselves from general styles as "they are fabricated and they display their own codes," and this is constantly portrayed throughout the film (Hebdige, 1979:100-101). through the clothes worn by the characters in the films, they are portraying the message that they do not belong to the "normal culture" but they belong to a class or subculture of their own; "I speak through my clothes" (Eco, 1973 as cited in Hebdige, 1979:100).
Trainspotting can be described as dark humor, but junkies' world over priced the film heartily. It's a film that is mainly about people that do not want to belong. Trainspotting is not the first film about heroin, but the first one that is a 'slap in our faces are both the grim realities of life at the tip of a needle and a freewheeling, pop-music-fueled glorification of the addicts' smack-happy existence' .
The Trainspotting soundtrack was wildly flourishing in the international charts after the release of the film itself, in the 1990's. The music score is mainly composed of beloved music. Sometimes the film takes the semblance of a music video, with conversation kept at a bare minimum. The scene and the soundtrack are faultless and sufficient for the viewer to understand. This is used any times and for different purposes .
In the first ten minutes of the film, we are transfixed; watching as the anti hero Renton and Spud race through the streets and a voice over begins:"Choose life. select a job. select a career. select a family. select a fucking big television; select washing machines, cars, compact disc players and electrical tin openers. select good health, low cholesterol and dental insurance. . . ."
This litany goes on and then we get a view of Renton lying in heroin stupor and the voice over ends with:
"But why would I want to do a thing like that? I chose not to select life: I chose something else. And the reasons? There are no reasons. Who needs reasons when you've got heroin?"
Accompanying this considerable scene is Iggy Pop's 'Lust for Life'. 'Lust for Life', in which the lyrics, are markedly subordinated to Renton's voice-over after the thumping opportunity few bars, so much so that the only lyrical fragments that can be heard are the opportunity line 'Here comes Johnny Yen again...' and the choral refrain ('I gotta lust for life'). Incidentally, Iggy Pop is notable for his past heroin abuse and is mentioned quite a lot in the film. The two ultimately come to signify each other - Mark Renton is the central character of the film, and Iggy Pop is the most leading artist on the soundtrack album. Iggy Pop's music also lends a sense of rebellion to the film. We can observation Iggy Pop's poster in one of the scenes too
Renton's knowledge of new music is minuscule and this is seen when they go clubbing. Renton is ill at ease; he hasn't been out for a long time and is not in touch with the current music scene. This is where we have the inclusion of the songs Born Slippy and 'For what you dream of'. All this shows how Renton has been so wrapped up into his heroin habit that he is totally put of touch. The only song Renton recognizes is a song originally by Blondie called "Atomic' (an 80's song). The shift in emphasis is evident in Trainspotting itself as, although the musical character of the score gradually shifts from the proto-punk of Iggy Pop through to the more modern waves of dance music
Some of the music was recorded purposely for the film. For example Pulp's "Mile End", which accompanies Mark Renton's keen into a London flat. The lyrics of the song report the state of the flat he moves into:
"It smelt as if person had died
The living room was full of flies.
The kitchen sink was blocked
The bathroom sink not there at all..."
Another song created by the group Leftfield for the film is ironically called 'The final Hit'. Throughout the film Renton takes many of his so called final hits. It is mainly an instrumental track, with harmonic chords which difference with a dark, practically overpowering rhythm track. The difference between harmony and rhythm may narrate Mark Renton's mixed feelings at this point in the film - he desperately wants to give up heroin, but the feeling it gives him is too pleasurable.
As a whole the music used in the film is full of irony. For example when Renton is hallucinating that he is disappearing down the 'dirtiest toilet in Scotland', we hear a mellow piece of ambient music by Brian Eno, aptly called Deep Blue Day. The film takes a surreal twist here and we enter a world of soft sounds and images as Renton swims in a blue ocean. This all contrasts harshly with the reality of Renton digging into a filthy toilet to find his heroin suppositories, while he vomits uncontrollably
All of the songs in the soundtrack of Trainspotting have come to be needful to people who saw it and join together the songs to the film; to heroin. At this time, the term heroin chic was having great impact in the world. Heroin chic was a trend in the 90's that characterized the "thin, sickly look of junkies. Blank expression, waxy complexion, dark circles under the eyes, sunken cheeks, immoderate thinness, greasy hair" were seen on runway models showing the 'heroin chic' look and promoted in beloved magazine and fashion circles as 'chic'. This fragile, thin, and drug-addicted look was well-liked in the fashion world. In fact, in 1997 it was the basis of the advertising campaign of Calvin Klein. The heroin chic fashion in case,granted turn over and anti-drug groups protested. "Fashion designers, models such as Kate Moss and James King, and movies such as Trainspotting were blamed for glamorizing the heroin chic look and lifestyle"
Former Us President Bill Clinton condemned the heroin chic look and the 'heroin chic' fashion photography for sending a message that using the drug is 'glamorous' and 'sexy'. He said, "You do not need to glamorize addiction to sell clothes." As he saw it, the glorification of heroin "is not creative. It is destructive. It is not beautiful. It is ugly. And this is not about art. It is about life and death. And glorifying death is not good for any society" Not surprisingly much of the mainstream press and the dailies were horrified by the apparent glorification of heroin use in the film Trainspotting. Junkies were presented as righteous heroes selecting relaxation over the tyranny of consumer society. Suddenly all values were inverted as viewers and readers were invited to recognize and empathise with low-lifes who would think nothing of spending all day watching telly and shooting heroin. Trainspotting helped a new morbid fascination with the drug heroin by portraying considerable role models in the movie. For years heroin has been very beloved in the lives of young celebrities for example River Phoenix (who died of an overdose in 1992).
Trainspotting was a great hit and could be seen of more than advertisement than a film. Even years after the film was released, the film about heroin addiction is was of the best marketed films that portrays cultural images of the heroin subcultures. Trainspotting has received a cult following. The film addresses both the problems of heroin addiction from a user point of view to an anti-drug point of view. Trainspotting manages to shock us, terrify and disgust us one moment and make us laugh the next. Trainspotting does not well have a plot but simply result the daily lives of this group of junkies
Drugs are the main focus of this film. In the 1990's a new wave of music and drugs started to emerge. Heroin was seen as old-fashioned (Iggy Pop). With the film Trainspotting heroin was given the spotlight. Characters like Sick Boy and Renton became idols for rebellious teenagers who wanted to experiment in drugs, felt disillusioned, unattached from society. Trainspotting became the bible to this new generation of heroin junkies. They had a soundtrack and idols to emulate. On the other hand one could have viewed the film as it is; an ironic and cynical peep hole into the lives of a group of heroin addicts. The tragedy of the film is apparent to the viewer, but than it is up to the individual to explain it.
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